Remembering Liz and Ken Eberts
by Helen V Hutchings
Liz: November 1, 1940–August 3, 2024
Ken: July 4, 1943–August 14, 2024
2005 photo of Ken here and on home page: Wikipedia Photo, by Makeorbrake—Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=53165822
AFAS Members and Guests, Pebble Beach
Left to right standing—Bruce Wheeler, Jim Dietz, Stan Rose, Claus Wagner, Tom Hale, Richard Pietruska, Ken and Liz Eberts, Larry Braun, John Francis Marsh, Tony Sikorski, Bill Motta, Barry Rowe, and an unnamed gentleman who was the representative of the various Japanese artists seen in bottom row. Bottom row, left to right is an unnamed guest with AFAS artist Tom Fritz beside him and then (sadly) names of the others who were talented displaying artist guests are unknown. Helen V. Hutchings and Bruce Wheeler. Photo: Hemmings
Among the 1965 class graduating from Art Center were Ken Eberts and Dave Mcintosh and who had also been roommates. Following graduation each went east; Ken to Dearborn as he’d been hired by Ford Styling and Dave to work in Detroit for ad agency J Walter Thompson. It wasn’t long before the two would once again move west; Ken having accepted a position with Lockheed working on interior design of the L-1011 Tristar, and Dave to establish his own ad agency.
Eventually Dave returned to Detroit destined to spend a notable design career with GM while Ken opted to remain in California and pursue a career creating fine art, primarily themed around visually telling stories of the automobile. With this career, it is fitting to say he succeeded in spades producing and selling in excess of 3,000 paintings not taking into account the art he created for the myriad posters, prints, calendars, and greeting cards!
His time at Ford did have one important and enduring consequence for it was where he’d met Liz, destined to become his lifelong companion. They wed April 1972 and, essentially, were inseparable over the ensuing 52 years even to passing, as you can see, just days apart from one another this past August.
Liz was not just his love but his perfect partner too for when Ken opted to give it five years to see if he could make a living for them creating fine art, mainly focused around the automobile, Liz took on handling the administrative tasks involved with selling, marketing, and fulfillment of purchases of the prints, posters, and holiday greeting cards. In turn that gave Ken more time to devote to his painting. As he would laughingly say later, “Those five years turned into over fifty” during which he conceived, researched and painted those over 3,000 pieces of original art featuring cars of historical significance as well as of design excellence and popularity while surrounding each in period and seasonal settings.
Nineteen-eighty-two found those artists displaying at Meadow Brook discussing amongst themselves the idea of forming a group. Beyond the core of these like-minded artists, membership in the group would be invitation-only with the idea to make automotive fine art more widely accepted and viewed as legitimate fine art. The following year the Automotive Fine Arts Society (AFAS) was formalized with “Ken Eberts named Founder of the Society [and designated its president] and Bob Larivee [Robert E Larivee Sr] its Founding Patron.” Eberts and Larivee were destined to fill their respective roles for the next 33 years.
In 1986 AFAS secured a presence on the Pebble Beach Concours showfield where, for the next thirty-two years, annually it would fill its large tent with a stunning display of automotive fine art. AFAS members also traveled to shows and events to display and sell including all the way to the right coast’s Amelia Island Concours.
Ken and Liz were often referred to as Mr and Mrs AFAS for together they tended many of the business details of the Automotive Fine Arts Society. Jay Koka wrote of them most eloquently in his comment following Hemmings Motor News’ on-line tribute to Ken and Liz: “The success of AFAS as an exhibiting organization was represented by Ken on the public side and by Liz in the background handling all the minute details of our various shows and activities. Ken was a prolific and appropriately well-celebrated painter. Perhaps not as well known, Liz provided the support necessary for one pursuing a professional career… along with the love and care of a long marriage.”
The Society published a Journal beginning in 1987 as a quarterly. With issue #23 (they were numbered sequentially with the exception of the Premier issue which bore no number) it had switched to becoming an annual renamed AFAS Magazine. By issue #35 the costs of producing and distributing a print magazine had risen to a prohibitive point. Thus the 2009 issue #35 was the last printed issue. The gauntlet was taken up by one of the AFAS member artists, Canadian Jay Koka who, in 2010, began an on-line newsletter that can be found at AutoArtReview.com The trouble is he’s now pulled his earlier issues so they can no longer be seen much less used as a resource documenting automotive art history or that of any individual artist.
Today, to visit the world’s largest automotive art gallery you do not need to board a flight and travel. Just key CarArt.us into your device at any time. This online gallery will give you the opportunity to view more than 1,500 artworks with subjects showing 130 different marques. They cover a full range of types of art from original paintings to prints, posters and sculptures created by 70 fine artists and designers from 20 countries on four continents.
Car Art, Inc was established in 2002 by Peter Aylett, himself a former automotive design engineer. He professionally and smoothly handles purchases that are then shipped directly to your door. He is also available to guide and facilitate the commissioning of a desired personalized painting created by many of CarArt’s represented artists.
These days, artists still display their offerings at shows everywhere. But just as Bring-A-Trailer changed how to list in order to show the collector car you are offering for sale to the widest audience possible, so too has how you now more easily discover the offerings of your favorite artist or learn of other talented, capable artists and their creations.
Ken and Liz’s ashes have been interred not far from the graves of Liz’s parents in her native Joplin, Missouri with a granite marker scheduled to be placed in November. Fittingly, Joplin is located on the Mother Road, Route 66.
Helen V Hutchings
Adapted from my remembrance written for and to be published in the Journal of the Society of Automotive Historians #328 hvh
Ken conceived, then built this car called HondaArt, between 1962 and 1966 but it was subsequently stolen once back in California. Years later, a friend tipped him off to it being seen in the backyard of a house in the San Fernando Valley. Ken purchased it and has retained it to this day.—Helen V Hutchings. Photo: Hemmings
A sampling of Ken Eberts fine art.
Photos: Hemmings
I had the pleasure of knowing Ken personally. Both Bronxites, we were schoolmates (and fellow car lovers) at the HS of Music & Art in NYC, and briefly at Art Center. He went on to design and fine art, me to publishing books about cars. He was a great artist and a great guy.
Shocking news. Many thanks Helen and Gary for the story.
I first met Ken in the late 1960s when he and Dave rented my garage on the lake in Mt. Clemens. Michigan in which to build their sportscars. Despite the weather, smell of fiberglass, or discovery of construction challenges, they both were always positive and full of good will…like brothers.
I followed Ken’s career with AFAS and attended all of his shows at Pebble (he even honored me to be a judge at his last show there). I have several of his paintings. Always admired his enthusiasm, skill, and positive spirit. And above all else, always cherished his friendship.
He will be missed.
Ken and I were at ArtCenter about the same time. I recall working on a clay model in the shop one night when Ken walked by and stopped to visit. I had not talked with him before but he looked at my model and suggested a way to improve the design. I took his advice and incorporated the change which I very much appreciated. I meet him a couple of times later during our careers and he was always friendly. A great talent.
As a Belgian born in 1966 I never met Mr. Eberts, but Roy Lonberger send his e-mail contacts and friends this link, that’s how I got here. A few years back, when I still had my website, I wrote an article about the American artist Peter Helck, who made absolutely gorgeous paintings for Chevrolet ads in the 1950’s. Some of the work shown here remind me to a certain degree of his work. I quite like the super realistic approach, that shows both a deep love for the past and for cars. A deep bow. All the best to Mr. Eberts family !
It was my great good fortune to work with Ken at Ford Design Center where we were stylists. We had some great times beyond recall (& control) but a friendship we always remembered. Ken’s passing, and that of Liz, is very sad news to me. A good friend gone with Ken’s departure.
One of the events I cherish, about Ken, is when he and Chuck Hance decided to leave the house they were both renting in Detroit with LWood (Larry Wood but always called LWood). Ken and Chuck, neither knowing the
other was leaving, fired up their motorcycles at the same time. Ken came thru the archway from the dining room only to collide with Chuck who was flying down the hallway from his bedroom!
They managed to repair the bikes, but the dining room was a mess. Holes in the walls were filled with industrial modeling clay, smoothed out, and then covered with dinoc. I won’t comment on the how and where the materials came from. They then told their landlord they’d “paneled” the dining room for him.
Phil Payne
I went to Art Center in 1961 and very soon after met Ken. We immediately recognized we were both car nuts, and have been friends for life. We built that car in 1963 and it was a trip! I left ACS for only 1 semester and had to get back to graduate asap. Ken kept the project going anyway, even though he worked nights all through school. I briefly joined the California exodus in 1970 and met Liz. They were a fun couple to drop in for coffee and chat. his car was the drivable one, and I hope something can be done to preserve it.
What a great friend whose cheery attitude will be truly missed. David McI
As always, another great review. Did anyone spot the evidence Ken was also a Lionel train fan?
Sorry-correction: I was not in advertising, always in automotive concept design. Our roommate Alvin Ako was an ad designer and worked in Detroit briefly also. Ken’s work is astonishing and I have made the case for his art to be included in a new auto section of the DIA.
Ken Eberts was commissioned by the AACA to create unique classic car-themed artworks for posters for the annual fall AACA Hershey Meet for a number of years. I was fortunate to have attended the “Fall Hershey” for most years between 1989 and 2005 and one of the highlights was purchasing the latest Ken Eberts creation from the AACA merchandise tents in the vendor flea market fields. I still have them all in their original poster tubes. Perhaps now is the time to get them framed and display my collection of his wonderful nostalgic work. At 74, I’m not getting any younger…
Ken and I were lifelong friends from Kindergarten through junior high school and reconnected about 45+ years ago when I saw his name on a Sears Savings Bank Callendar with paintings of trains done by Ken on them. He was living in Rancho California, now part of Temecula at that time. I have a number of his originals and many posters, a few posters very special limited gifts from Ken and Liz. Ken and I both drew up lots of auto designs when we were kids. His were great, mine not so good. I will miss them dearly.
David Hefler
Ken and I became friends after Art Center. He was living in Detroit working at Ford and hated it. Alvin Ako’s brother Melvin was my roommate and it turned out we had extra room. Ken quite Ford, getting a job at Lokheed and asked me to help him collect his things and move back to Calif. We flew back, stuffed what he could in his Honda 500 and we drove back in under 36 hrs. we lived together on Beverly Boulevard before finding an apt. the was part of a house Jean Harlow’s house. We lived there for a couple of years. We both had women in our lives and he wanted more space for his Porsche Speedster and got a house in Van Nuys. We remained friends until his passing. He was Best Man at my first wedding.