Stan Mott—Modern Mechanics
Stan Mott kept us going with his outrageous cartoons and great artwork.
Stan Mott kept us going with his outrageous cartoons and great artwork.
R. Henry Gurr’s book played an important role in my interest in car design.
Interesting how the esthetics of aerodynamics have changed.
Lots of very interesting photos.
He inspires us to start sketching again just for the joy of it.
Jordan likened this to “letting a tiger out of the cage—saying go!”
His illustration style is original and unmatched.
He had quite a career.
This rare, out-of-print book was loaned to me by Richard Nesbitt.
Larry Shinoda brought to Ford a sense of no-nonsense car-guy cool.
Shinoda was outspoken, candid, humorous, and firmly believes in what he is doing.
I remember he ordered a new blue Chevy pickup, and when it was delivered he realized that the instrument cluster had a blank where a gage could have been. He called it his humility gage, because it reminded him he didn’t have everything.
This exhibition highlights the creativity of the American automobile designers of the 1960s and 70s
Among his talents, Alex was noted for his ability to play tunes on his airbrush.
“I was lucky to get into car designing; I was at the right time and place.”
“Bill Mitchell absolutely hated the 2-Rotor and was very verbal about it calling it all kinds of nasty four letter words.”
Allan Flowers is a very talented and super creative designer.
Looking back, I think what a great place to start an automotive career, and how sad to think of what FOMOCO was then, and what it is now.
Of the many and varied professional opportunities available in the automotive industry, the role of the designer (or stylist) has probably captured the imagination of more young men and auto enthusiasts around the world than any other.
I was a designer for Ford in 1953, and 1956-1961.
Jack Humbert, the greatly respected Pontiac studio chief in those years, was very tolerant of my naiveté.
According to Bill Porter, Homer, who was assistant in Pontiac at the time, says he quit because of round-the-clock overtime. Claimed his kids cried when he did come home. “Who’s that strange man, mommy?”
Newsprint pads, the same stuff your newspaper is printed on, were far cheaper than other sketch pads and were very popular at Pratt Institute where I did my graduate work in Industrial Design in 1957–58.